An artist is interviewed about her photos.

Over a road trip, triplets Ana Laura, Ana Leticia, and Ana Lucía, along with their parents, suffer a dramatic accident crashing by the side of a river. The consequences of this event are catastrophic: Both parents die, Ana Laura loses one leg, and Ana Lucía, unconscious, is dragged by the river’s flow. Only Ana Leticia, who actually caused the accident, emerges unscathed. Soledad, a woman who was seriously hurt after her daughter’s death, helps Ana Lucía, whom she finds agonizing. Although Soledad discovers who the girl is, she takes advantage of her memory loss regarding the accident and her family and decides to keep her, making her believe she is her mother. Despite everyone declares Ana Lucía is death, Ernestina, the triplets' grandmother, and Ramiro, their uncle, don’t give up and do everything they can to find Ana Lucía. But years go by, the same as their wishful

Enrique is a gym teacher who along with his sister want to start a musical career with the support of their grandfather, a great scientist who wants to stop an evil despot from getting an artifact that would endanger the entire world.

A young man finds a vintage camera on an Alexandria tram, only to discover that its lens acts as a portal into the city's historic past, blending modern reality with forgotten memories.

The graduates of a small town are on tenterhooks - the finals will be soon over and the young people will start lives of their own. They don't know what to expect - the school has taught them one thing, their parents something else, and the town shows them something completely else. There is something complicated between Kalle and Inna and eventually their relationship will end up in a mess. The relationship between Siim and Evi seems to be fine but even they will face misunderstandings. During the last weeks at school the love, faith and expectations of the graduates are put to the test.

Alex refuses to let his past relationship go, in his dreams, he still keeps living memories of what was, or, what could have been?

A young man is freed from prison. The communists are reforming him.

Twenty-something Ana, now living in Buenos Aires, returns to her native city of Paraná. She meets old school mates, old friends, makes new ones, and starts to rethink her life, and perhaps change her future.

In the year 2000, Les Blank, along with co-filmmaker Gina Leibrecht, visited Richard Leacock (1921-2011) at his farm in Normandy, France and recorded conversations with him about his life, his work, and his other passion: cooking! With the flair of a seasoned raconteur, Leacock recounts key moments in his seventy years as a filmmaker and the innovations that he, D.A. Pennebaker, Albert Maysles and others invented that revolutionized documentary filmmaking, and explores the mystery of creativity. With the passing of both Blank and Leacock, the documentary is a moving insight into the lives of two seminal figures in the history of film.

Stela, a young Brazilian actress, decides to make a work on the letters exchanged between Latin American plastic artists in the 70s and 80s. She travels to Cuba, Mexico, Argentina and Chile looking for her works and testimonies about the reality they lived during the dictatorships that most of these countries faced at the time. In the midst of the investigation, Stela discovers the existence of Ana, a young Brazilian artist who was part of this world, but disappeared. Ana went from southern Brazil, from a small town in the interior to Buenos Aires. Obsessed by the character, Stela decides to find her and find out what happened to her.